The piano played a crucial role in Joe Alterman’s life, especially during his teenage years when he struggled with severe obsessive-compulsive disorder. At Woodward Academy near Atlanta, Joe worked hard to conceal his compulsions from his peers, but he needed an outlet. The piano became his refuge, offering solace after exhausting days at school. Joe would rush home and immerse himself in improvisation for hours, finding it a healing experience.
Initially, his music didn’t stem from jazz. Instead, he sought to capture the emotions he felt at bluegrass festivals with his father, aiming to translate Doc Watson’s boogie-woogie energy or the essence of “You Are My Sunshine” into his piano playing. Jazz entered his life later, not through solos but through the way jazz musicians reimagined familiar melodies.
Once Joe overcame his compulsions, he infused the lively spirit of bluegrass into his music and began emulating jazz piano icons like Les McCann and Ramsey Lewis, who eventually became close friends. This led to the development of a joyful and soothing sound, evident in his latest release, “Brisket For Breakfast,” with tenor saxophonist Houston Person. This album is a continuation of their musical collaboration, which began during Joe’s time at New York University. Their partnership is documented in performances from as early as 2011 and in tracks from Joe’s earlier albums in 2012 and 2016.
Their enduring musical relationship blossomed into a deep friendship, characterized by shared meals, which inspired the title of Joe’s latest album. Houston is known for forming connections with restaurant staff wherever they go, from Waffle House to upscale steakhouses, and is warmly remembered by them.
Joe’s early internship at the Blue Note in New York led to opportunities to open for renowned artists, cementing his ties with jazz legends. While his NYU peers were focused on developing their unique voices, Joe concentrated on emulating the musicians he admired. This approach was distinctive among his classmates, but Joe found it deeply personal. His passion for jazz history and artist lineages fueled this connection to the past.
Instead of delivering a history lesson, Joe aimed to evoke emotions in his audience, sharing the joy he found in music. His philosophy became, “This music makes me feel good, and I believe it can do the same for you.” It was less about nostalgia and more about connecting the past with the present.
Justin Chesarek, Joe’s longtime drummer, appreciates Joe’s openness in both music and business. Joe’s resourcefulness and big ideas often lead them to perform in unconventional venues thanks to his extensive network.
Joe and Chesarek have been playing together for over a decade, developing a deep musical kinship. Their shared love for the music allows for spontaneity on stage, enabling them to respond to the audience with ease. This trust extends to collaborating with artists like Houston Person, allowing them to focus on integrating new voices.
“Brisket For Breakfast” is a live recording, capturing performances at the Breman Museum in Atlanta and the Savannah Music Festival. These recordings reflect the intimacy and energy of the live shows, with the crowd’s reactions adding to the vibrant music.
Joe’s love for instrumental string music and his admiration for improvisational bands like the Grateful Dead keep his music lively and joyful. His dedication to exploring riffs and evolving melodic ideas ensures that his music remains approachable and full of happiness.